The Art of Capturing Souls

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The human face, usually that of one’s mother, is the first visual connection a new human being has with the world.  That face is the world.  Psychologists tell us that the greater percentage of what we communicate with each other in any conversation is transmitted and received through our reading of each other’s facial expressions during our chat – and more often than not, we trust the truth to be what we read in another’s face, this truth being as often as not contrary to the words being spoken.


Crazy Horse had no fear of leading his warriors against Custer’s guns at the Little Big Horn, but he wouldn’t let his picture be taken on his deathbed, lest his soul be captured in the photograph.  For Crazy Horse it may indeed have been more than the mere chronicling of the death of a particular moment in time that was captured.  Maybe it’s because of our unique evolutionary trajectory (which elevated our sense of sight over our sense of smell as our primary information intake) that made us maniacally visual beings rather than creatures whose worlds are demarcated by sound and scent.





requiescat in pace by zenibyfajnie








Fascination with Portraits




For whatever the reasons, we have always been fascinated with portraits, and the advent of photographic portraiture only made our obsession all the more pronounced.  Photos of nudes or the deceased hold a certain fascination, but it’s the faces we seek to preserve, to possess, to lock up in a moment of time, these captures of our families’ and our friends’ and our own faces, before the actual faces grow old and wrinkled and fall to dust.







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.Ed II. by MichalGiedrojc







Maybe it’s because we believe we, and our loved ones, will live forever in our studio or snapshot portraits.  It is no wonder then that there is a part of us that suspects that when a photo portraiture artist manages to capture a face precisely as that face is known to him/herself or to others (or reveals something in a face none has noticed before) that artist has performed a secret ceremony involving wizardry, time travel and soul theft that cannot be alibied away with reassuring talk of pixels and light exposures.  When it happens, it is nothing short of magical.






Closing Thoughts

When a photographer takes your picture, are you hoping he or she will capture your “essence” perfectly, or would you be happy for a more “misrepresentative” outcome that made you look physically “better”?



I am planning on releasing a much larger article with interviews around the subject of portrait photography.  Are there any deviants in particular that you would like me to reach out to so that they might participate in the interview?   I would also love to hear any other suggestions that you might have regarding the subject matter before I begin writing the article.




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LovelyAdversity's avatar
I see the benefits to both sides of it. Personally, I don't want people to see me as someone who is always so happy all of the time, so it can be a little bit on the frustrating side when I am told to smile all of the time. I am generally happy, yes, but I don't believe that happiness is the only emotion that I am capable of having. Although I will look nice for pictures if it is for something like a school photo, where I don't want to look like I'm mad at the world.

On the side of the photographer, I have tried to take pictures of my friends when I catch them in a position that I want to capture, and then they notice and smile and break the image that I had in mind. It's very frustrating, because I can't just tell them to ignore me. Once they have seen the camera they put themselves on guard and I won't end up with the sort of picture that I had initially hoped for.